Sayart.net - From Pencil to Puppet: Michael Frith′s Creative Legacy Celebrated at Bermuda National Gallery

  • December 30, 2025 (Tue)

From Pencil to Puppet: Michael Frith's Creative Legacy Celebrated at Bermuda National Gallery

Sayart / Published December 30, 2025 12:53 PM
  • -
  • +
  • print

The Bermuda National Gallery has unveiled a comprehensive retrospective exhibition titled "From Pencil to Puppet" that showcases the remarkable career of Michael Frith, the Bermuda-born artist behind some of the most beloved characters in entertainment history. Visitors to the exhibition are greeted by an unexpected sight that immediately captures the imagination: Fozzie Bear himself, the iconic Muppets comedian, presiding over an extensive collection of drawings, puppets, and video installations. Curated by Eve Godet Thomas, this landmark exhibition marks the first time Frith's complete body of work has been assembled for public viewing, offering an unprecedented look at the evolution of his creative process from childhood sketches to internationally recognized characters.

Frith's artistic journey began in Bermuda during his teenage years when he demonstrated exceptional talent by illustrating advertisements for Masters Limited and creating caricatures for local newspapers including the Mid-Ocean News and The Royal Gazette. His early promise led him to Harvard University, where he served as president of the prestigious Harvard Lampoon humor magazine. Following his graduation in 1963, Frith joined Random House as art director for Theodor Geisel, universally known as Dr. Seuss. The exhibition features numerous concept drawings, layout designs, proof sheets, and final publications from this period, documenting his rapid ascent in the world of commercial art and children's literature.

The centerpiece of the exhibition focuses on Frith's tenure at Jim Henson Productions from 1975 to 1995, where he served as head of creative services and oversaw the artistic teams responsible for creating characters, logos, sets, books, toys, and virtually every visual element associated with The Muppets and Fraggle Rock. Among the highlights are his earliest sketches for Fraggle Rock, which he drew during the initial planning meeting at London's Hyde Park Hotel in 1983. These preliminary drawings of characters like Mokey, Red, and Gobo bear striking resemblance to their final puppet forms. Particularly fascinating is Frith's revelation that the Fraggles' subterranean world was inspired by Bermuda's Crystal Caves, drawing from his childhood memories of the caves' discovery story involving two boys chasing a cricket ball into a hidden realm beneath the surface.

The exhibition also illuminates Frith's post-Henson career, beginning in 1996 when he and his wife, Kathryn Mullen, co-founded Sirius Thinking, the production company behind the acclaimed educational series "Between the Lions," which encouraged literacy through the adventures of a family of librarian lions. The upper galleries feature original designs for characters Lionel and Leona, demonstrating Frith's continued commitment to educational entertainment. Additionally, the exhibition showcases his humanitarian work through No Strings, a collaborative organization he established with Mullen and Irish aid worker Johnie McGlade in response to the Afghanistan bombings in the early 2000s. This initiative created culturally specific puppets to deliver messages of compassion and public safety to children in conflict zones.

No Strings has produced films addressing critical issues including landmine safety, HIV/AIDS prevention, and natural disaster preparedness, reaching children in thirteen countries across Africa, Haiti, Afghanistan, and other regions. For his Haitian Rara Band series from 2011, Frith again drew inspiration from his Bermuda heritage, basing one character on local icon Johnny Barnes and incorporating visual elements from traditional Gombey costumes. Throughout the exhibition, Frith's personal notes accompany the displays, offering insights into his creative process and the memories that informed each project. Video installations feature the artist himself explaining his belief that "Bermuda is a magical place" filled with energy, beauty, mystery, and possibilities.

According to Bermuda National Gallery director Jennifer Philips, the exhibition has significantly increased visitor attendance, with guests of all ages taking photographs with Fozzie Bear, watching vintage video performances, and exploring the behind-the-scenes creative process. The educational value extends beyond nostalgia, as children unfamiliar with the Muppets or Fraggle Rock discover the power of imagination and creativity. In an era where these classic properties continue to find new audiences through digital platforms, "From Pencil to Puppet" serves as both a celebration of Frith's extraordinary contributions to popular culture and an inspiring lesson in how artistic vision transforms from simple sketches into enduring characters that resonate across generations.

The Bermuda National Gallery has unveiled a comprehensive retrospective exhibition titled "From Pencil to Puppet" that showcases the remarkable career of Michael Frith, the Bermuda-born artist behind some of the most beloved characters in entertainment history. Visitors to the exhibition are greeted by an unexpected sight that immediately captures the imagination: Fozzie Bear himself, the iconic Muppets comedian, presiding over an extensive collection of drawings, puppets, and video installations. Curated by Eve Godet Thomas, this landmark exhibition marks the first time Frith's complete body of work has been assembled for public viewing, offering an unprecedented look at the evolution of his creative process from childhood sketches to internationally recognized characters.

Frith's artistic journey began in Bermuda during his teenage years when he demonstrated exceptional talent by illustrating advertisements for Masters Limited and creating caricatures for local newspapers including the Mid-Ocean News and The Royal Gazette. His early promise led him to Harvard University, where he served as president of the prestigious Harvard Lampoon humor magazine. Following his graduation in 1963, Frith joined Random House as art director for Theodor Geisel, universally known as Dr. Seuss. The exhibition features numerous concept drawings, layout designs, proof sheets, and final publications from this period, documenting his rapid ascent in the world of commercial art and children's literature.

The centerpiece of the exhibition focuses on Frith's tenure at Jim Henson Productions from 1975 to 1995, where he served as head of creative services and oversaw the artistic teams responsible for creating characters, logos, sets, books, toys, and virtually every visual element associated with The Muppets and Fraggle Rock. Among the highlights are his earliest sketches for Fraggle Rock, which he drew during the initial planning meeting at London's Hyde Park Hotel in 1983. These preliminary drawings of characters like Mokey, Red, and Gobo bear striking resemblance to their final puppet forms. Particularly fascinating is Frith's revelation that the Fraggles' subterranean world was inspired by Bermuda's Crystal Caves, drawing from his childhood memories of the caves' discovery story involving two boys chasing a cricket ball into a hidden realm beneath the surface.

The exhibition also illuminates Frith's post-Henson career, beginning in 1996 when he and his wife, Kathryn Mullen, co-founded Sirius Thinking, the production company behind the acclaimed educational series "Between the Lions," which encouraged literacy through the adventures of a family of librarian lions. The upper galleries feature original designs for characters Lionel and Leona, demonstrating Frith's continued commitment to educational entertainment. Additionally, the exhibition showcases his humanitarian work through No Strings, a collaborative organization he established with Mullen and Irish aid worker Johnie McGlade in response to the Afghanistan bombings in the early 2000s. This initiative created culturally specific puppets to deliver messages of compassion and public safety to children in conflict zones.

No Strings has produced films addressing critical issues including landmine safety, HIV/AIDS prevention, and natural disaster preparedness, reaching children in thirteen countries across Africa, Haiti, Afghanistan, and other regions. For his Haitian Rara Band series from 2011, Frith again drew inspiration from his Bermuda heritage, basing one character on local icon Johnny Barnes and incorporating visual elements from traditional Gombey costumes. Throughout the exhibition, Frith's personal notes accompany the displays, offering insights into his creative process and the memories that informed each project. Video installations feature the artist himself explaining his belief that "Bermuda is a magical place" filled with energy, beauty, mystery, and possibilities.

According to Bermuda National Gallery director Jennifer Philips, the exhibition has significantly increased visitor attendance, with guests of all ages taking photographs with Fozzie Bear, watching vintage video performances, and exploring the behind-the-scenes creative process. The educational value extends beyond nostalgia, as children unfamiliar with the Muppets or Fraggle Rock discover the power of imagination and creativity. In an era where these classic properties continue to find new audiences through digital platforms, "From Pencil to Puppet" serves as both a celebration of Frith's extraordinary contributions to popular culture and an inspiring lesson in how artistic vision transforms from simple sketches into enduring characters that resonate across generations.

WEEKLY HOTISSUE