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  • July 21, 2026 (Tue)

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MMCA Gwacheon Marks 40 Years With Imaginations in Light
Maria Kim
July 15, 2026
Yu Yong Ye Records the Sea as a Second Skin
Maria Kim
July 13, 2026
Seoul’s New Pompidou Tests the City’s Art Ambitions
Kelly.K
June 17, 2026
For Do Ho Suh, Home Is Never Left Behind
Maria Kim
June 17, 2026
Seoul’s Spring Awakening: Step Into the City’s Galleries While the Moment Lasts
Sharon Jung
March 28, 2026
Damien Hirst’s First Major Asian Retrospective Opens in Seoul, Raising Questions Beyond Spectacle
Maria Kim
March 24, 2026
South Korea’s Art World at a Crossroads: Celebrity Influence, Civic Engagement and Institutional Power
Maria Kim
March 3, 2026
AI Art’s Legitimacy Crisis: Who Owns Creativity in the Age of Algorithms?
Jason Yim
March 3, 2026
Nam June Paik’s “Robot K-456” Has Returned to the Stage, Decades After Its Last Steps
Sharon Jung
February 3, 2026
Eva Zucker Unveils Four New Works from “Menschsein in Schichten,” Announces 2026 Open-Studio Participation
Jason Yim
January 15, 2026
Centre Pompidou Sets June Opening for Seoul Outpost, Bringing Masterworks to Korea
Maria Kim
January 14, 2026
Daegu Exhibition Closure Triggers Censorship Debate in Art Community
Kelly.K
January 5, 2026
What to Expect: The Global Art Market in 2026
Maria Kim
January 5, 2026
Boom or Mirage? National Museum of Korea Debates Paid Admission Amid K-Culture Surge
Maria Kim
December 23, 2025
Diagnosing the Global Art Market in 2025: Between Correction and Reconfiguration
Jason Yim
December 23, 2025
Klimt’s Enigmatic ‘Portrait of a Lady’ Arrives in Seoul for the First Time in History
Jason Yim
December 7, 2025
Johyun Gallery to Make Its Art Basel Miami Beach Debut in December 2025
Maria Kim
November 30, 2025
‘All that Photography’ Reveals How Images Shaped Korea’s Contemporary Art
Joy
November 25, 2025
Why Alphonse Mucha, Now?
Jason Yim
November 23, 2025
Do You Know Lee Jung-seop, the Korean Artist Who Embraced Autumn?
Maria Kim
November 14, 2025