Sayart.net - Daughter of Nazi Financial Advisor Returns Stolen Artwork ′Portrait of a Lady′ from Argentina

  • September 05, 2025 (Fri)

Daughter of Nazi Financial Advisor Returns Stolen Artwork 'Portrait of a Lady' from Argentina

Sayart / Published September 5, 2025 08:46 AM
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A couple in Argentina has voluntarily returned a stolen artwork through their lawyer after the painting was discovered through a real estate advertisement that inadvertently revealed the Nazi-looted masterpiece. The 18th-century painting "Portrait of a Lady" by Italian artist Giuseppe Ghislandi was handed over to authorities in Mar del Plata, Buenos Aires Province, following an extensive manhunt and multiple house searches by investigators.

The artwork was originally stolen from the collection of Jewish gallery owner Jacques Goudstikker during the Nazi occupation of the Netherlands in World War II. Goudstikker died while fleeing from the Nazi regime, and his valuable art collection was systematically plundered by German forces. The painting represents one of thousands of artworks stolen by the Nazis during their occupation of European countries.

Friedrich Kadgien, a close associate of Reich Economics Minister Hermann Göring and one of the Nazi regime's most important financial experts, brought the stolen painting to Argentina when he fled Europe after Germany's defeat in 1945. Kadgien was instrumental in the Nazi economic machinery and used his position to facilitate the looting and transportation of stolen artworks to South America, where many former Nazi officials sought refuge.

The breakthrough in this decades-old case came through an unexpected discovery when the suspects placed a real estate advertisement online. Investigators noticed the valuable painting displayed in the background of the property listing, which led them to identify and track down the artwork's location. The Dutch newspaper Algemeen Dagblad was the first to spot the painting in the advertisement, demonstrating how modern technology and media attention can help solve historical art theft cases.

Kadgien's daughter and her husband, who had inherited the stolen artwork, are now under house arrest while authorities investigate the case further. The couple's decision to surrender the painting through their attorney suggests they may be cooperating with the investigation into the artwork's provenance and their family's connection to Nazi war crimes.

Dutch journalists involved in uncovering this case expressed hope that similar chance discoveries could lead to the recovery of more stolen artworks. Tens of thousands of pieces of art remain missing from Nazi looting operations, and many are believed to be hidden in private collections around the world, particularly in South American countries that became havens for fleeing Nazi officials after the war.

This case highlights the ongoing efforts by international authorities and art historians to trace and recover Nazi-looted art nearly 80 years after the end of World War II. The successful identification and return of "Portrait of a Lady" demonstrates that justice for Holocaust victims and their families can still be achieved through persistent investigation and international cooperation in tracking down stolen cultural artifacts.

A couple in Argentina has voluntarily returned a stolen artwork through their lawyer after the painting was discovered through a real estate advertisement that inadvertently revealed the Nazi-looted masterpiece. The 18th-century painting "Portrait of a Lady" by Italian artist Giuseppe Ghislandi was handed over to authorities in Mar del Plata, Buenos Aires Province, following an extensive manhunt and multiple house searches by investigators.

The artwork was originally stolen from the collection of Jewish gallery owner Jacques Goudstikker during the Nazi occupation of the Netherlands in World War II. Goudstikker died while fleeing from the Nazi regime, and his valuable art collection was systematically plundered by German forces. The painting represents one of thousands of artworks stolen by the Nazis during their occupation of European countries.

Friedrich Kadgien, a close associate of Reich Economics Minister Hermann Göring and one of the Nazi regime's most important financial experts, brought the stolen painting to Argentina when he fled Europe after Germany's defeat in 1945. Kadgien was instrumental in the Nazi economic machinery and used his position to facilitate the looting and transportation of stolen artworks to South America, where many former Nazi officials sought refuge.

The breakthrough in this decades-old case came through an unexpected discovery when the suspects placed a real estate advertisement online. Investigators noticed the valuable painting displayed in the background of the property listing, which led them to identify and track down the artwork's location. The Dutch newspaper Algemeen Dagblad was the first to spot the painting in the advertisement, demonstrating how modern technology and media attention can help solve historical art theft cases.

Kadgien's daughter and her husband, who had inherited the stolen artwork, are now under house arrest while authorities investigate the case further. The couple's decision to surrender the painting through their attorney suggests they may be cooperating with the investigation into the artwork's provenance and their family's connection to Nazi war crimes.

Dutch journalists involved in uncovering this case expressed hope that similar chance discoveries could lead to the recovery of more stolen artworks. Tens of thousands of pieces of art remain missing from Nazi looting operations, and many are believed to be hidden in private collections around the world, particularly in South American countries that became havens for fleeing Nazi officials after the war.

This case highlights the ongoing efforts by international authorities and art historians to trace and recover Nazi-looted art nearly 80 years after the end of World War II. The successful identification and return of "Portrait of a Lady" demonstrates that justice for Holocaust victims and their families can still be achieved through persistent investigation and international cooperation in tracking down stolen cultural artifacts.

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