Man Ray: Return to Reason is a newly released collection of four experimental shorts by the influential Dada and Surrealist artist Man Ray. This compilation showcases captivating visuals, including swirling coils and dancing figures, and was recently restored in 4K for its debut at the Cannes Film Festival, commemorating 100 years since Man Ray began his filmmaking journey.
The collection features Le Retour à la Raison (1923), Emak-Bakia (1926), L’Étoile de Mer (1928), and Les Mystères du Château du Dé (1929), totaling around 70 minutes, now enhanced with an avant-garde score by filmmaker Jim Jarmusch and Carter Logan.
Le Retour à la Raison, created shortly after Man Ray moved to Paris, was inspired by poet Tristan Tzara for a Dada performance. The film employs a unique technique where objects are placed directly on celluloid and exposed to light, resulting in a series of abstract images, including salt and pepper sprinkled onto the film. Despite its randomness, the film reflects Man Ray's keen eye for composition.
Still from Man Ray’s Emak-Bakia (Leave Me Alone). 1926. Courtesy of the artist
Emak-Bakia continues this experimental spirit, utilizing professional camera equipment and various optical effects to create a purely visual experience, featuring playful scenes with his muse, Kiki de Montparnasse.
The most cohesive piece, L’Étoile de Mer, explores erotic themes through dreamlike sequences, utilizing filters to create obscured images, while Les Mystères du Château du Dé presents a narrative involving chance and choice, set against the backdrop of a lavish estate.
These films encapsulate the serendipity and interdisciplinary nature of the Parisian art scene in the 1920s, celebrating both Man Ray's innovative techniques and the enduring legacy of Surrealism.
Still from Man Ray’s Les mystères du château du dé (The Mysteries of the Château of Dice). 1929. Courtesy of the artist
Sayart / Amia Nguyen, amyngwyen13@gmail.com
Courtesy of the artist
Man Ray: Return to Reason is a newly released collection of four experimental shorts by the influential Dada and Surrealist artist Man Ray. This compilation showcases captivating visuals, including swirling coils and dancing figures, and was recently restored in 4K for its debut at the Cannes Film Festival, commemorating 100 years since Man Ray began his filmmaking journey.
The collection features Le Retour à la Raison (1923), Emak-Bakia (1926), L’Étoile de Mer (1928), and Les Mystères du Château du Dé (1929), totaling around 70 minutes, now enhanced with an avant-garde score by filmmaker Jim Jarmusch and Carter Logan.
Le Retour à la Raison, created shortly after Man Ray moved to Paris, was inspired by poet Tristan Tzara for a Dada performance. The film employs a unique technique where objects are placed directly on celluloid and exposed to light, resulting in a series of abstract images, including salt and pepper sprinkled onto the film. Despite its randomness, the film reflects Man Ray's keen eye for composition.
Still from Man Ray’s Emak-Bakia (Leave Me Alone). 1926. Courtesy of the artist
Emak-Bakia continues this experimental spirit, utilizing professional camera equipment and various optical effects to create a purely visual experience, featuring playful scenes with his muse, Kiki de Montparnasse.
The most cohesive piece, L’Étoile de Mer, explores erotic themes through dreamlike sequences, utilizing filters to create obscured images, while Les Mystères du Château du Dé presents a narrative involving chance and choice, set against the backdrop of a lavish estate.
These films encapsulate the serendipity and interdisciplinary nature of the Parisian art scene in the 1920s, celebrating both Man Ray's innovative techniques and the enduring legacy of Surrealism.
Still from Man Ray’s Les mystères du château du dé (The Mysteries of the Château of Dice). 1929. Courtesy of the artist
