Heredium, a contemporary art space in Daejeon, has launched a special exhibition titled ‘Ditto and Veto’, showcasing 27 works by 19 internationally renowned artists, including Takashi Murakami, Andy Warhol, and Jean-Michel Othoniel. The exhibition, which opened on March 15, presents a thought-provoking collection of paintings, sculptures, and installations, focusing on contemporary social dilemmas and the complexities of human experience.
The title ‘Ditto and Veto’ merges the meanings of agreement and prohibition, symbolizing the opposing forces that define modern society. The exhibition explores how artists navigate ideological conflicts and challenge binary perspectives, encouraging a deeper understanding of the complexities of the world.
The poster of the exhibition, Courtesy of Heredium
Among the featured works, Andy Warhol’s ‘Electric Chair’ delivers a stark critique of institutional power and violence, while Jean-Michel Othoniel’s ‘Golden Lotus’ addresses themes of healing and empathy in the face of discrimination. Nam June Paik and Julian Opie present works that reflect on alienation in contemporary society, while Georg Baselitz examines history and identity through his distinctive artistic language. The exhibition also delves into the intersection of art and consumer culture, with pieces by Yoshitomo Nara and Takashi Murakami offering commentary on mass production and commercialization.
Through these diverse perspectives, ‘Ditto and Veto’ confronts critical issues such as social isolation, cultural identity, and the power dynamics embedded in history. Heredium aims to provide a space for reflection and dialogue, where visitors can engage with the pressing concerns of today’s world through the lens of contemporary art.
The exhibition will run until August 17.
Sayart / Nao Yim, yimnao@naver.com
Electric Chair, Andy Warhol, Courtesy of Heredium
Heredium, a contemporary art space in Daejeon, has launched a special exhibition titled ‘Ditto and Veto’, showcasing 27 works by 19 internationally renowned artists, including Takashi Murakami, Andy Warhol, and Jean-Michel Othoniel. The exhibition, which opened on March 15, presents a thought-provoking collection of paintings, sculptures, and installations, focusing on contemporary social dilemmas and the complexities of human experience.
The title ‘Ditto and Veto’ merges the meanings of agreement and prohibition, symbolizing the opposing forces that define modern society. The exhibition explores how artists navigate ideological conflicts and challenge binary perspectives, encouraging a deeper understanding of the complexities of the world.
The poster of the exhibition, Courtesy of Heredium
Among the featured works, Andy Warhol’s ‘Electric Chair’ delivers a stark critique of institutional power and violence, while Jean-Michel Othoniel’s ‘Golden Lotus’ addresses themes of healing and empathy in the face of discrimination. Nam June Paik and Julian Opie present works that reflect on alienation in contemporary society, while Georg Baselitz examines history and identity through his distinctive artistic language. The exhibition also delves into the intersection of art and consumer culture, with pieces by Yoshitomo Nara and Takashi Murakami offering commentary on mass production and commercialization.
Through these diverse perspectives, ‘Ditto and Veto’ confronts critical issues such as social isolation, cultural identity, and the power dynamics embedded in history. Heredium aims to provide a space for reflection and dialogue, where visitors can engage with the pressing concerns of today’s world through the lens of contemporary art.
